CBT at Roissy - part 2

A few weekends back we attended a private Roissy event. You can read a background post about these events here. As I wrote in part 1 of this post:

"It was an amazing weekend. The deal with these events is: what goes on at Roissy stays at Roissy, so as much as I'd love to blog all about it and share some of the stunning photos, I'm afraid all I can show you are some of our moments of private play, as these photos don't include anyone else"

Our private play included two CBT scenes which were documented by Roissy valet and talented photographer Vade. You'll find his photos of our first CBT scene at Roissy here.

Our second CBT scene occurred outside at night. Keep in mind some of these photos are taken with flash, and others are darker because Vade was exploring natural lighting. In terms of visualizing the scene the play space was beautifully lit by candle light.

Over the weekend several scenes from Story of O were recreated, including this one:

"Anne-Marie handed O four tokens and asked her to give one to each of the girls without looking at the numbers on them. O handed out the tokens,the three girls each looked at theirs but said nothing, waiting for Anne-Marie to speak.

"I have number two," Anne-Marie said. "Who has number one?" Colette had number one. "All right, take O away, she's all yours." Colette seized O's arms and joined her hands behind her back; she fastened the bracelets together and pushed O ahead of her...

"The light entering through the French door revealed a room the far end of which formed a kind of raised rotunda; the ceiling, in the shape of a shallow cupola, was supported by two narrow columns set about six feet apart. This dais was about four steps high and, in the area between the columns, projected further into the room in a gentle arc...

"Colette had O sit down on the edge of the platform ... Anne-Marie, who was laughing said: " no one can hear you scream. And the walls are lined with cork. Don't worry, no one can hear the slightest thing that goes on inhere. Now lie down." She took her by both shoulders and laid her back, then pulled her slightly forward. O's hands were clutching the edge of the platform - Yvonne having attached them to a ring set in the platform - and her buttocks were thus suspended in mid-air.

"Anne-Marie made her raise her legs toward her chest, then O suddenly felt her legs, still doubled-up above her, being pulled taut in the same direction: straps had been fastened to her ankle bracelets and thence to the columns on either side, while she lay thus between them on this raised dais exposed in such a way that the only part of her which was visible was the double cleft of her womb and her buttocks violently quartered. Anne-Marie caressed the inside of her thighs. "It's the most tender spot of the whole body," she said, "be careful not to harm it. Not too hard now, Colette."

"Colette was standing over her, astride her at the level of her waist,and in the bridge formed by her dark legs, O could see the tassels of the whip she was holding in her hand. As the first blows burned into her loins,O moaned. Colette alternated from left to right, paused, then started again.O struggled with all her might, she thought the straps would tear her limb from limb. She did not want to grovel, she did not want to beg for mercy. And yet, that was precisely what Anne-Marie intended wringing from her lips. "Faster," she said to Colette, "and harder." O braced herself, but it was no use. A minute later she could bear it no more, she screamed and burst into tears, while Anne-Marie caressed her face. "Just a second longer," she said, "and it will be over. Only five more minutes. She can scream for five minutes. It's twenty-five past, Colette. Stop when it's half past, when I tell you to."

But O was screaming: "No, no, for God's sake don't!" screaming that she couldn't bear it,no, she couldn't bear the torture another second. And yet she endured it to the bitter end, and after Colette had left the little stage, Anne-Marie smiled at her. "Thank me," she said to O, and O thanked her"

This always turned me on when I read the book so it was great to have the chance to take part in a scene where it was recreated.

Sol drew the fourth token and so was the last Roissy slave of the evening to be restrained and strung up in position by the Valets. As part of the role play other Masters had used whips on their slaves and I planned to use a mix of crops and canes:


You can see me reaching for my red riding crop, which I did use a little:


However sol had been whipped with a rubber flogger earlier in the day and had some fierce marks on his backside, including quite a long cut along his perineum, which you can see in some of the photos taken with a flash. I needed to avoid these as they needed time to heal.

Hmmm. Decisions, decisions, what to do? His cock and balls were so nicely presented in his leather ball stretcher while strung up in this way, so I decided to concentrate on his genitals:


I began with a favorite CBT implement we purchased from Black Rabbit Leather. I can't remember what it's called but basically it's a short crop with wooden handle, with a round flat leather tip that's just fiendish when you use it on balls or the cock head:


I then moved on to a small rattan cane:


It's also quite severe on the balls:


Here you can see it in motion:


Next was a wrapped leather cane (of the type used at the original Roissy):


I also used our rawhide cane, which was fun to flick over sol's balls:


I then gave sol a break by doing something nice with my finger tips:


Needing more light I turned on my torch headlight. I removed sol's ball stretcher and continued for a while using the rawhide cane over his shaft. Vade has captured how fast it moves in the photo below:

I did a few more nasty things before finishing up...


With a small leather whip:


At the end of the scene the Valet helped me wrap sol up in our black fur. We left him to drift for a while:


While I discussed the scene with some other Masters:


As I wrote in part 1 of this post:

"It was an extraordinary couple of days, and we enjoyed very much bringing some (female dominant inspired) CBT to (male dominant oriented) Roissy!

"I can't say much more but I would like to take this opportunity to thank the organizers of the event, as well as Roissy house staff (especial thanks to Vade for these photos), the other Masters, and the graceful and beautiful slaves who were a joy to behold and play with :)"

Many thanks:

ST + v

B + V + x

Photos:

Vade